Nonfiction Monday: Heart and Soul

Heart and Soul: The Story of America and African Americans Kadir Nelson

Much like his We Are the Ship Nelson again goes for the everyman (this time, everywoman) narrator and focuses on the very long, broad story of the African American experience.

The narrator's story-telling voice draws readers in as she tells of her great-grandfather Pap, a slave taken from Africa who fights for the North during the war, becomes a Buffalo soldier out West, and moves to Chicago during the Great Migration. She tells of her uncles and cousins who were Southern share-croppers, of her brothers who fought in WWII, and of how she (somehow back South) marched with Dr. King for Civil Rights and eventually case her ballot for Obama. The way her family touches on so many keystone events is a bit Forrest Gump, but is based on Nelson's own family stories.

Nelson beautiful, full-page paintings appear frequently and there are several 2-page spreads.

Readers will enjoy the narrative and artwork.

My only question is-- why is this nonfiction? It's full of made-up dialogue and made-up characters. In order to keep an authentic voice, historical fact is obscured, like when the narrator says that when Roosevelt declared war on Japan "every person in America was behind him." No, they weren't. The war had vast popular support, but not every person in America was for it. The brevity of the book and that it's all family stories, doesn't give a good sense of the timeline involved and how long some of these events were. Also, the way some social trends are covered in the narrative messes up the timeline. She talks about jazz when discussing the summer before the end of WWI. In her discussion, she mentions many of the big names including Ella Fitzgerald, making it sound like Fitzgerald was a popular jazz singer during WWI. But she wasn't born until 1917.

Many of my frustrations with We Are the Ship are double for Heart and Soul. It's a beautiful book that kids will really enjoy reading and they'll learn a lot from it but... it's a horrible example of nonfiction. Some minor edits and this would be a WONDERFUL work of historical fiction. Frustrating all around.

Today's Nonfiction Monday round up is over at The Swimmer Writer.

Book Provided by... my local library

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the perils of first-person history

It's Nonfiction Monday! And I'm talking about two more books that were on the Cybils short-list for MG/YA nonfiction, one of which I really liked, and one of which I really hated.

We Are the Ship: The Story of Negro League Baseball Kadir Nelson

This is a beautifully illustrated book about Negro League baseball. It won the Coretta Scott King honors for artwork and writing and it won the Sibert.

I'm still fuming.

I mean, it wasn't my favorite for King illustrator--it wasn't even my favorite Kadir Nelson book this year (I really liked his work in Abe's Honest Words) but I can understand why it won. I have much greater issues with the writing. I think it's an interesting story and kids will respond to the everyman first person narration, even though I find it fundamentally flawed. Not overjoyed with the writing winning an award, but also not surprised.

I am, however, extremely upset that it won the Sibert. There is NO WAY this book should be held up as a good example of nonfiction for kids.

Let's take another look at those illustrations. Many (possibly all) are based on real photographs. Yes, Nelson is an amazing painter and he breathed new life into those photos but... using paintings instead of photographs when they're obviously available? It makes the book less accurate, because instead of looking at real evidence, we're looking at an artistic interpretation of it.

And oh, the writing. History should NEVER be in first person if the author wasn't involved in the history. I know who Kadir Nelson is, and even I found myself asking at one point if he played for the Negro Leagues. Also, in taking the everyman approach, it makes the text confusing. When discussing how rough the players played, Nelson often says "they" or "them" but he's still in first person, so it sounds like these rough players weren't Negro league players--it sets up a horribly confusing us/them dichotomy.

Now yes, this first person narration makes the book vastly more appealing to kids, it's fundamentally not true and should not be held up as an example to strive for. How would you cite that in a paper? Can you imagine quoting something like this in a research project? How would you explain that yes, your quotation is in first person, but the person talking doesn't really exist? Will kids even realize that Nelson wasn't a baseball player? I had to go back and say "wait, what?" several times, and I consider myself to be a stronger and more experienced reader than most children, especially when it comes to history. And before you say that kids don't need to cite things and write research papers, yes, yes they do. And maybe not everything is a valid source, but if are going to give it an award for what children's nonfiction should be, then it should be a valid source. I don't lower my standards of nonfiction when it comes to stuff written for kids.

Nelson could have written a great and readable book in third person, but no. He chose something that makes his book less accurate, less true, and confusing to understand.

Also, there was no shout-out to the women who played in the leagues. No mention of them whatsoever.

Overall, yes, kids will really like this book. Yes, the pictures are beautiful. BUT! This is NOT what nonfiction for children should be. I'm dismayed that the Sibert committee thinks it is.

Ain't Nothing but a Man: My Quest to Find the Real John Henry Scott Reynolds Nelson

Now this is how you do history in first person. Scott Reynolds Nelson (not to be confused with Kadir Nelson, whom I discussed above) is a historian and was studying the man behind the myth presented in songs about John Henry. This can be told in first person because it's about Nelson's own story, his research process as he tracks down the real story.

Nelson shows how historians get ideas and clues from a lot of different areas and objects--not just letters and records, but postcard pictures, song lyrics, and maps. The reader learns a lot about the research process, but also reconstruction, prison labor, and how the railroads were built.

The design is super kid-friendly. My only complaint is a personal one. Nelson needed to look at some records at the archives that were closed. While he does explain all the reasons why records might be closed, his frustration paints the archivists kind of like bad guys. I understand not getting the records you need and how frustrating that is, but, as a trained archivist, I have a little more sympathy for the record keepers than Nelson does. :)

After reading the book, I had to listen to this on repeat for about an hour.



Round up is over at Miss Rumphius Effect.