Showing posts with label book business. Show all posts
Showing posts with label book business. Show all posts

Sunday, July 14, 2013

Exclusive Editions = Bad News for Libraries



Today Ally Carter announced that if you buy a hardcover edition of United We Spy from Barnes and Noble, you'll get an exclusive epilogue. It's only available from Barnes and Noble, and only in print (it won't be in the Nook version.)

My first thought was all about me-- I tend to chafe at being told where I HAVE to buy something. I buy at several different book sellers, but I don't have that option for this one. Plus, Ms. Carter has done several events with Politics and Prose bookstore (my local indie fav.) over the years-- how much does this screw them (and other indies) over?

But my second thought was for the library users. And I tweeted back that exclusive content like is a bummer for libraries and the people who use them.

Ms. Carter tweeted back



Ah. Yes. Libraries can choose to buy that edition. Which highlights some stuff a lot of people don't know about the backroom workings for libraries.

I tweeted back:



After tweeting that, I did some research to get some numbers. Buying the exclusive Barnes and Noble edition at a brick and mortar store would probably cost list price-- $17.99. Ordering online is currently $14.29.

But libraries don't buy from bookstores. Libraries buy from distributors-- the same people who sell to bookstores. And for a new YA hardcover, libraries typically spend $9.01. So yes, a library could choose to buy the exclusive edition. If they do it at the store, though, it's twice as expensive. Libraries could get 1 copy of the exclusive edition, or they could get 2 copies of the regular one (or 1 of the regular, and a copy of something else entirely.) If libraries order online, it's a bit cheaper, but it's still significantly more expensive. (Libraries can buy 1.5 hardcover books for the price of the Barnes and Noble version if they order online.)

In this time of super-tight budgets, that's not a hard decision to make.

But, it's also not a decision that can be made-- most libraries are government entities. Most governments have very strict rules about who you're allowed to do purchasing from-- this is why no-bid contracts are always a local scandal. So, even if libraries had the money to spend on the exclusive edition, many are not allowed to buy books from anyone outside their regular vendor.

So yeah, it's not actually a choice. Libraries do not have access to this content.

Which means that the only way teens can get this is if they can get their own copy at Barnes and Noble. Which means they need access to a Barnes and Noble (to read in the aisle or purchase) or a credit card (to buy online).

I spent almost 7 years working in an underserved community. We had a TON of Gallagher Girl fans who used my library. Many came from homes that, even if they had the extra money to buy a book, they didn't have a credit card to do it. The closest Barnes and Noble is only 4 miles away, but it's across state lines. To get there on public transport will take 70 minutes, will cost $7.90 and involves walking half a mile, two buses and two trains.

So... it's not really an option for them.

Ms. Carter's response was to my above tweet was:



Yep, it's an extra. A bonus. One that libraries can't offer their users. One that only certain fans can dream of having access to. (Ok, let's be honest-- it's one that is just begging to be downloaded illegally. I'm against that professionally and personall, but in cases like this, I do understand it.)

So, here was the last tweet of the conversation:



I feel like a jerk for calling Ms. Carter out like this because it's not like Gallagher Girls is the first series to do this. And I'm pretty sure a lot of the decisions were done by agents and publishers, not by her personally. (And because of the politics of how national chain bookstores work, Barnes and Noble in particular, there's probably a lot at play here to get better display space and placement for all Disney-Hyperion books or other considerations.)

I'm a huge fan of her work, and I once had a lovely conversation with her at a Printz reception here in DC a few years ago and she was really nice and wonderful.

But when I talk about the teens who can't access this exclusive content, they're not hypothetical. I'm talking about specific people. I have faces and names in my head as I write this.

Exclusives like this might be good for bookstores and publishers, but they're pretty shitty for actual teen readers.



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Sunday, January 31, 2010

Sunday Salon: A fight where we're the ones who lose



MacMillan Publishing and Amazon are in a bitch fight.

As far as I understand it, MacMillan wants Amazon to raise the kindle book price from $10 to $15 and Amazon doesn't want to. As the debate has heated up, Amazon has now pulled ALL of Macmillan's books from the site, so you can now only get them from 3rd party seller (or anyone who isn't Amazon.)



I think publishers should be able to set a base price and sellers either mark it up or discount it to make their money. I know this has changed with digital media. I'm sure record companies want to sell single tracks for more or less than $.99. So, I see MacMillan's point, but I don't think ebooks should get much more expensive. Ebooks should be cheaper than print books. I know that part of a book's price covers the paper, the ink, the printing process, the shipping and distribution to stores etc. There's a reason a hardcover is more expensive than a paperback, why a beautifully bound version with full color illustrations is more expensive than a basic edition. Ebooks don't have those associated costs. Sure, ebooks should still cost something. Authors and editors deserve to get paid for the work they did. But, they should be cheaper than regular books.



I don't have all the answers. I'm sure I don't understand all the facets of the debate and if I knew how to fix it, well, I'm sure I'd have a different job than I currently do.

But, I'm with MacMillan on this one. While I think their position is wrong, Amazon's being a brat and MacMillan is allowed to price their books how they want. But, of course, Cory Doctrow says it much better than me. Being Cory Doctrow, he also ventures into the issues surrounding ebooks and digital rights management (DRM). DRM is one of the main reasons I don't own an ereader. Yes, digital music comes with DRM, but I can still burn a mix CD and give it to my friend or burn off an album to listen to in my car. Also, it's pretty easy to burn a CD and rerip it and strip most of the DRM that way. We haven't found a way around that yet with ebooks. Once I buy an ebook, I can't lend it to a friend, I can't resell it if I want to get rid of it, I can't donate it to a school or library or hospital or anything. If I were going to buy an ereader today, it would be a Sony, because the Sony platform is compatible with Overdrive, which is the company my (and 9,000 other) libraries use to lend ebooks. I read 269 books last year. I spend a lot of money on books, but I can't afford to spend over $2000 a year on them. Librarians don't make *that* much money. I use my library. Until we come up with a way to lend ebooks and share them and make them available cross-platform, I'm staying out of the market.



The music business has finally started to figure this out. On iTunes, for an extra $.30, you can buy your tracks DRM free. I'd pay more for DRM-free ebooks I could lend to my friends or donate or resell. Or, if you're not going to let me fully own the book, charge me a lot less as the rental fee it essentially is. But, here's where the huge irony of the situation comes in-- the reason I started buying all of my digital music on Amazon? Because they lowered the price when buying a full album and even better, insisted that the record companies allowed them to sell all of it DRM free.



Meanwhile, here are just a few of the children's and teen books you can't get on Amazon right now:

The Adoration of Jenna Fox
American Born Chinese
Annie on my Mind
Bad Kitty
A Banquet for Hungry Ghosts
The Black Cauldron (and the rest of the Prydain Chronicles)
Briar Rose
The Cat Royal Adventures
Charles and Emma: The Darwins' Leap of Faith
Claudette Colvin: Twice Towards Justice
The Cricket in Times Square
Diamond Willow
Doing It
Emil and Karl
Ender's Game
Holes
In the Name of God
Isabelle's Boyfriend
Junebug Series
Kampung Boy
King George What Was His Problem?
Leaving Glorytown
Letters from Rifka
Little Brother
The Love Curse of the Rumbaughs
Make Lemonade
Masterpiece
Memoirs of a Teenage Amnesiac
The Mozart Season
Pay the Piper
The Poison Apples
The Possibilities of Sainthood
The President's Daughter
Reality Leak
Robot Dreams
Someday This Pain Will be Useful to You
Something Out of Nothing: Marie Curie and Radium
The Swan Maiden
Tasting the Sky
Time's Memory
Tuck Everlasting
A Wrinkle in Time (and almost every other Madeline L'Engle book)