Thursday, October 23, 2014

Organization Part 2: The Reading Binder

In July, I wrote a post about how I keep organized, both in reading/reviewing and then all that other stuff I do during the day.

After a conversation on twitter this week, I realized I left off something important: The Reading Binder. It's a source of awe and good-natured ribbing in some circles, and it's the only way I can handle award and booklist committee work. (I wasn't on committee in July, so I forgot about it.)

What you need:
1. A 3-ring binder
2. Tabbed separators
3. Loose leaf paper
4. 3-hole punch
5. Highlighters

The first section is for administrative stuff. I print out committee policies and procedures, schedules, rosters, and contracts/agreements I had to sign, etc. This is so I can always go back and look, and be reminded of what we're doing. When I chaired Outstanding Books for the College Bound, I also had another section of chair stuff, which was more of the same, but chair-specific. Also, because Outstanding Books was such an overwhelming charge, I had another section with articles about the history of the list, and another one with previous lists.

The next section is for the actual books. The first page is my at-a-glance sheet, which I'll explain more about later. In the book section, each nominated book gets its own page (or more.) For YALSA committees, there's an actual nomination form that gets sent out for each book, with citation info, annotation, and why it was nominated. I would copy this form into Word and add a picture of the book cover and print it out. For my reading notes, I make them on the back of this sheet, or tape them on, or make them on a sheet of loose leaf that I then put in the binder with the nomination form. For committees that don't have a nice nomination form (like Cybils), each book gets a sheet of looseleaf with my notes. The form my notes tend to take are things I jot down while reading and then after I finish, a paragraph or more of my thoughts about a book, including strengths and weaknesses as a contender for whatever I'm evaluating it for.

There are some various levels of organization within this section. When I was on Nonfiction, there were 2 sections--one for books I hadn't read yet with just the nomination forms, and one for the books I had read. On Outstanding Books, I had to keep an eye on all sections, and had a different section for each sublist (this was helpful when I had to run meetings, too.) Within the "have read" section, I find it's most useful to put the notes and forms in the order they'll be discussed at meetings. (Usually in the order they were nominated.)

The organization in this area will vary depending on the committee. It will also vary during committee time. Nonfiction had a short list, which was announced in December, but the actual winner wasn't decided until midwinter, when it was announced. After we made the short list, I pulled those nominations to the front, away from the ones that we were no longer considering. On Outstanding Books, we narrowed the list down a bit before midwinter, so I pulled out the books that were no longer under consideration.

Now the first page of this section is the at-a-glance page. The at-a-glance is a spreadsheet print-out. There's a column for the name of the book, a box where I can check if I've read it, and a box for brief notes (maybe a sentence or two). This is also color-coded (time to break out your highlighters.) I use a basic green/yellow/red coding system (it's a traffic light) green are for the books I love and I'll cry if they don't make it to the finals. Red is the books I loathe and I'll cry if they do make it to the finals. Yellow is for everything else. YES, there is also a spring green and orange level. The at-a-glance is for when I need a quick snapshot of where my thinking is on the list as a whole. This is something that needs to be redone (and reprinted out) on a regular basis--at least once a month--as more titles are added and my thinking about the books shifts.

This is different from my status page, which is usually in my date book. This is a list of all the books I haven't read yet, and whether or not they're checked out/on hold/at a different library/need to buy/have an ARC/review copy is coming/etc. (Also, due dates and how many renewals I have left). I then just cross the book off the list when it's read and hand-write in more titles as they're nominated. This is something I have to redo weekly.

Also, let's talk meeting notes. Grab your looseleaf! When you have a face-to-face meeting or a group call or chat and take notes... notes on general committee stuff get files int he admin front section. Notes on titles are appended on the end of my notes on a title. (as are re-read notes.) For committees where things are just discussed on email (and committees that use email in addition to face-to-face), I usually just save the email in a separate folder, but I will jot down some things that other people mentioned if I'm thinking about them and am working on a response.

Now, obviously, the make-up of the binder and how things work changes a bit with each committee, as they require different things, but this is the overall idea of how I work.

Is there a Cybils binder? I'm in the process. I'm on second-round, so I have just over a month to look at 5 books, so I don't really need a binder. But, I'm reading a lot of the nominations now, partly as a personal armchair, but also just to be ready to go when January 1st rolls around. I'm putting together a binder so I can remember my thoughts and feelings on any titles that make it to the second round.

What's your system for tracking committee or other assigned reading? Do you have any questions about my crazy binders full of books?


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Monday, October 20, 2014

On Safety, Kathleen Hale, and what to do next

A lot of bloggers are thinking about what the next steps are after this weekend. How do we react when negative status updates about a book can get you stalked? Is an author going to show up on my doorstep? Call me at work and harass me until I cry? Blogging isn't a job, it's a hobby. It's supposed to be fun, a way to connect with other book nerds.

It's not supposed to put you in danger.

Of the two big issues facing book bloggers right now, a major lawsuit looks like "lucking out."

That's fucked up.

And it's worse than authors showing up in your front yard and calling you at work. It's the people who automatically take her at her word that the reviewer was wrong and harassing her. She wasn't. I know. I'm shocked, too! A woman who thought that showing up on someone's doorstep was a rational response to bad status updates has a skewed version of the reality leading up to that point. Shocking! But there are a lot of people who are applauding her for "fighting back."

So, what's next? Do I seriously have to balance the safety of my family with my desire to talk about books? Is this a real live thought process I've been having the past few days? REALLY?

I blog and tweet with my real name. It's not that hard to figure out where I work. And part of this is on purpose--my blog is personal and mine and I do it on my own time, but to say it's 100% separate from work is hard. My day job (which includes regularly scheduled nights and weekends) affects the blog--it informs what I read, my library users inform my reactions to titles and my blog affects my day job-- it's opened up professional doors to me and given me opportunities I may not have had. Many of my blogging friends are also professional colleagues and part of my personal learning network. My blog is on my resume. Honestly, in the grand scheme, at this point, it doesn't make sense for me to change it to a pseudonym. But what am I leaving myself open to?

And here's another area-- I'm not just a book blogger. I'm also a professional reviewer. I regularly review for School Library Journal (paywalled) and the RT Book Reviews website. These are signed reviews and SLJ even includes my place of employment after my name. If anything, this is what makes the most sense to give up. The majority of my critical or negative reviews are professional (mostly because I'm not apt to finish a book I don't like unless it's assigned.) But, I really like reviewing professionally. It's made me a better reader and a better blogger. It has helped my career and sometimes I get paid. It's not something I'm willing to give up, and I don't think I should have to in order to protect my safety.

And then my thought process turns to the fact that the affected bloggers are much bigger than me, so it's not going to be an issue for me... except. I have had an author track me down at work about a review I wrote. This person used my library's "contact us" form to comment on my review of their book. Luckily, it was for one of the professional outlets, so I could just forward it to my editor and let them deal with it.

Who do I forward the scary lady on my front lawn too? What happens when someone defames me in an international newspaper? What happens if the it's the blog, where I'm the editor? Will my professional reputation be dragged through the mud and affect my ability to put food on the table?

Where do I go next? Do I give into my fear? Is that letting the terrorists win (in the parlance of our times?) Do I accept the risk, knowing there are more Kathleen Hales out there and if they can write well enough (and let's be honest, that article was fascinating and compelling. She can clearly write. She just can't recognize dangerous and probably illegal behavior) people will just take her word at it without even trying to hear the other side of the story?

In a month and a half, Biblio File will turn 10. Yes, a decade of book blogging. Posting has been spotty at times, and this is not the first time I've seriously considered stopping. But, every other time it was because of internal issues--do I really want to devote the time it requires or do I want to prioritize other things in my life? Do I still have the passion to make it worth the brain space? And I've always just taken a break or powered through. It's never because of something external before. And... I just don't know now.

I just don't know.

Edited on 10/21/14 to add Please also read this post by Beth Revis. It has links to the story of a an author who showed up at a GoodRead's reviewer's place of employer and hit her in the head with a wine bottle hard enough that she went into shock and had to be hospitalized. Because of a bad review.


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Monday, October 06, 2014

Innocent Darkness

Innocent Darkness Suzanne Lazear

Steampunk Faeries. Oh yes. And that’s all you really need to know.

Ok, you want to know more.

Noli comes from a good family that’s fallen on hard times. She’s an ace engineer and too reckless and spirited to ever be the perfect Lady her mother expects. After one-too-many brushes with the law, she’s sent to a reform finishing school.

Kevighn Silver is drawn to the school--it’s a school devoted to ridding young ladies of the Spark. The Spark may make them less-than-society-perfect, but every 7 years, the faeries in the Otherworld need to sacrifice a mortal girl with Spark in order to keep the magic going. The time is coming fast, and it’s Kevighn’s job to find the girl. A well-timed wish in the wrong place, and poof, Noli’s in the Otherworld, slated to die.

On top of all this is Noli’s best friend and next-door-neighbor, V. Noli knows V’s father would never let them marry, so it’s all very platonic, despite her wishes that it could be something else. V knows something is very wrong and tracks her all the way to the Otherworld, where he just happens to be an exiled prince. YEP.

First off, despite the awesomeness of STEAMPUNK FAERIES*, Noli is what makes this book. Noli knows who she is. She likes who she is. She struggles that who she is isn’t who her mother wants or needs her to be and how she can best take care of what’s left of her family. I like that despite the tensions between who her mother (and society) expect her to be and who she is, she still really loves her mother. There's tension, but it's not much greater than most teen daughter/mother tension. I appreciate that it's not a breaking point between them. Unlike many "modern before her time" historical heroines, she chafes at the restrictions, but kind of understands them? Also, more than many historicals, Noli and the text understand that many of these restrictions are actually the restrictions of her class rather than the time period. (She wants to work. The fact her mother won't let her isn't because she's a girl, it's because girls of their station don't work. Even though her mother (most shamefully) does.) She’s brave and bold, but will still cry when things go to hell.

As with all good faeries stories, court politics and tradition are intriguing and dark (even if this one is dressed up in crazy fashion choices and steampunk toys.)

The first in a series, this one pretty much just sets everything up, but it builds a pretty awesome world you’ll want to stay in for longer. (Just don’t eat anything.)


*This is kinda like whenever I talk about His Fair Assassins, I just end up randomly shouting ASSASSIN NUNS! ASSASSIN NUNS!

Book Provided by... my local library

Links to Amazon are an affiliate link. You can help support Biblio File by purchasing any item (not just the one linked to!) through these links. Read my full disclosure statement.